Quotes About Drawing in Spite of Everything I Shall Rise Again
„In spite of everything I shall ascension again: I will take upwards my pencil, which I have forsaken in my great discouragement, and I will go on with my drawing."
Alphabetic character #158 to Theo (24 September 1880) http://www.vangoghletters.org/vg/letters/let158/letter of the alphabet.html <!-- This letter has slightly unlike translations everywhere, merely this seems to be the more often quoted translation -->
Variant translation http://www.webexhibits.org/vangogh/letter/8/136.htm: "I felt my energy revive and I said to myself, I shall get over it somehow, I shall set to work again with my pencil, which I had cast bated in my deep dejection, and I shall describe again, and from that moment I have had the feeling that everything has changed for me"
1880s, 1880
Context: I felt my free energy revive, and said to myself, In spite of everything I shall rise again: I will accept up my pencil, which I have forsaken in my swell discouragement, and I volition go on with my drawing. From that moment everything has seemed transformed for me.
Adopted from Wikiquote. Concluding update June three, 2021.
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„To get on ways going from hither, means finding me, losing me, vanishing and beginning over again, a stranger start, then little by little the same as always, in some other place, where I shall say I have always been, of which I shall know nothing, being incapable of seeing, moving, thinking, speaking, but of which little by little, in spite of these handicaps, I shall begin to know something, just plenty for it to plough out to be the aforementioned place every bit e'er, the same which seems made for me and does not want me, which I seem to desire and do not want, take your option, which spews me out or swallows me up, I'll never know, which is possibly simply the inside of my distant skull where once I wandered, at present am fixed, lost for tininess, or straining confronting the walls, with my head, my hands, my feet, my back, and ever murmuring my old stories, my onetime story, as if it were the offset time."
— Samuel Beckett, book The Unnamable
The Unnamable (1954)
„At present the creed to which I subscribe is like a battle weep, engraved on my heart - the Ideology of the Holy Roman Catholic Church. Earlier, in those one-time times, I could say, "I shall sleep in the dust: and if thousand seek me in the morn, I shall not be" (Job 7:21). Now I tin say, "I know that my Redeemer liveth, and the last day I shall rising out of the earth. And I shall be clothed with my peel, and in my flesh I shall see God. Whom I myself shall see and my optics shall behold, and non another: this my hope is laid upwards in my bosom" (Job xix:25-27)."
— Dorothy Solar day Social activist 1897 - 1980
From Spousal relationship Square to Rome (1938), p. 145
„I couldn't tell you how happy I feel to have taken up drawing again. Information technology had already been on my mind for a long time, simply I always saw the matter as incommunicable and beyond my accomplish"
— Vincent Van Gogh Dutch post-Impressionist painter (1853-1890) 1853 - 1890
In his letter to Theo, from Cuesmes, 24 September 1880 - original manuscript of letter no. 158 - at Van Gogh Museum, location Amsterdam - inv. no. b156 Five/1962, http://vangoghletters.org/vg/letters/let158/letter.html
Van Gogh's copies (drawings) he made after the work of Rousseau have been lost
1880s, 1880
Context: First and foremost, the masterly etching, 'The bush-league', by Daubigny/Ruisdael. [ Daubigny'south etching 'The bush', he fabricated subsequently Jacob van Ruisdael ].... I plan to do ii drawings, either in sepia or something else, one of them after this etching [past Daubigny] — the other [etching, fabricated] after T. Rousseau's 'The oven in Les Landes'. This latter sepia is already done — information technology'south truthful — simply if you compare it with Daubigny'southward etching, yous'll sympathize that it becomes weak, even though the sepia drawing considered on its own may very well accept a certain tone and sentiment. I have to go back to information technology and work on it over again.... I couldn't tell you how happy I experience to have taken up drawing over again. It had already been on my mind for a long fourth dimension, but I always saw the thing every bit impossible and beyond my reach.
„From Alan, I learned to take a more instinctive and intuitive arroyo to pencil work. I used to let my heed get far too far alee of my pencil, which can be productive, but removes the serendipitous switch of management when the pencil and mitt discover an idea the mind's middle had missed."
— John Howe (illustrator) Canadian illustrator 1957
On Alan Lee
In the Artist's Studio interview (2010)
Context: From Alan, I learned to take a more instinctive and intuitive approach to pencil work. I used to let my mind get far too far ahead of my pencil, which can be productive, but removes the serendipitous switch of direction when the pencil and hand discover an idea the mind's eye had missed. Drawing at the right speed is a sort of graphic contrapposto providing what I'd be tempted to call an "intuitional resilience" unobtainable with more energetic methods. I very much enjoyed working with him, a situation of symbiosis between enthusiasm and despair, the erstwhile because his work is but and then proficient, the latter because his work is just then proficient. He is hard to keep up with, but then I believe he says the aforementioned of me. He is a dear friend and a wonderful creative person.
„They [his own fantasies he made in strange pencil drawings and then] hover earlier me now in globe-trotting color, more beautiful than I can perhaps paint them.... I yearn for the day when I will have found my color harmonies, my harmonies."
— Emil Nolde German artist 1867 - 1956
Quote of Nolde's letter, 1902, to Hans Fehr; as cited in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 35
During the adjacent few years, Nolde about commuted betwixt Copenhagen and Berlin; in the fishing village of Lildstand on Jutland's northern coast, he produced strange pencil drawings, equally he wrote to Fehr
1900 - 1920
„Hugo [Claus], Now you should see my recent works. A cartoon in ink, three pencil drawings and ii sketches in oil-paint: a still-life and a landscape in the strongest colors you can imagine. I yet have to piece of work on the landscape, but I actually think it will exist the best of my paintings till now.... but the happiest thing is, I accept acquired much more freedom."
— Roger Raveel painter 1921 - 2013
version in original Flemish (citaat van Roger Raveel, in het Vlaams): Hugo [Claus], nu zoudt U eens moeten mijn laatste werk zien, een pentekening, drie potloodtekeningen en twee studies met olieverf: een stilleven en een landschap in de hevigste kleuren die Ge U kunt indenken. Aan dat landschap moet ik nog werken maar ik denk dat het mijn beste werk zal zijn, van mijn schilderwerk, en drie tekeningen vind ik mijn beste maar het gelukkigste is dat ik een veel grotere vrijheid heb verworven.
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, twenty-24 March 1948; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 50 (translation: Fons Heijnsbroek)
1945 - 1960
„And I don't care what information technology takes my friend
I will never go hungry, go hungry again
Oh, and I don't care what I have to pretend
I will never go hungry, get hungry once again
And the phoenix she rises, she is certain to descend
She will never go hungry, go hungry again
And you're looking to me more and more similar a godsend
Nosotros will never go hungry, go hungry again
And nosotros owe each other nothing, in that location'due south no i left here to offend
We volition never become hungry, get hungry again"
— Courtney Dear American punk vocalist-songwriter, musician, actress, and artist 1964
"Never Become Hungry"
Song lyrics, Nobody's Daughter (2010)
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